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New works
Drinks
Coffee,Tea,Beer,Whiskey
BIGs
Platter, huge bowls
The secret heart cup
heartcup
before and After.
Jewelry
porcelain and silver
Teapots
Kyusu/Japanese Tea
love
what's love?
New Glazes
Spring Snow Glaze
Restaurants
Ramen, plates
Sake and Sushi
Tokkuri,Plates,Cups
Porcelight
SUKEs
Macha Bowls
Tea Ceremonial bowls
WOWs
Cool stuff

Shows
ids
lexus
kuu
tea
IDS west

トヨタ レクサス

kuu
Tea ceremony+Ikebana+Ceramics

トヨタ レクサス openroad Richmond 新社屋オープニングイベント
vase
A collaboration with a IKEBANA master

"Ippin" Tokyo
ippin 山形屋海苔店、京橋、東京

インテリアデザイン
designed and decorated spaces by HiDe
zakkushi
jinya
thum
kimura
zakkushi main
Jinya Ramen
魚王
Sushi Kimura

インテリアデザインショー ウェスト
panel
「透ける」モザイクタイルパネル、LEDペンダント 他多数

たれません。

いつも食卓にあるものだから、美しくあってほしい。

いつもきれいで、すっきり、手間要らずが理想だったので、作りました。

HiDe ceramic works の 醤油さしです。

詳しくはこちら


ポーセライト/Porcelight
 

自然や社会など私たちのまわりのいろいろなものが壊れかけているように見える今、
生命そのものが壊れてまたその中から新しく生まれ変わる変体(進化)を繰り返しつつ
純化されていくという希望を、光と、灼くという行為と土という素材を通じて表現していきたいと思っています。

北米産の純度の高い磁器を、全てろくろを使って限りなく薄く成形し、その上に、日本古来の技法である「とびかんな」などの手法を応用してデザインを削り出し、素焼きの後オリジナル釉薬を施して1250度の高温で焼くまでの行程は50にも及びます。一品一品”オリジナル”に一品ものとして、手をかけ「育て」ていくことでこれらの作品は生まれます。

ids
porcelight palm together
灯りに透けて照らしだされる繊細な模様は他の素材では得られない磁器特有のやさしい光と影を生み出し温かい空間を演出します。
ランプを点灯していない時でもお部屋のインテリアとしてはえる芸術性の高い作品です。光と土の絶妙のハーモニーが心地よく流れる音楽のように、使ってくれる人の生活を知らずに潤わし癒やすなら、何よりさいわいです。   ひで   他の作品の写真と詳細
   

 

 
bird
chandelier
ids_pendant
panels
A life
Magnoria chadelier
Pendants
Mozaic panel wall lights
jinya
Bubbly pendants
TuTu
MoMo
Ikimono
kurage
momo
palm
zakkushi
Kurage
Aroma diffusers
Palm together
Space

コラボレーション イベント

2007年春のshow 生け花と茶道とのコラボレーション。 

未生流華道:Atsuko

表千家バンクーバー小倉社中

HiDe Ebina

Flowers ,Tea and Ceramics
 



AN INTRODUCTION TO A MAN AND HIS ART / Vancouver's LIfe Style Magazine article 
Zen Light
HiDe´ Ebina’s Porcelights, like the rest of his ceramic artworks, are not complete until they have an everyday use − and everyday user
by BEVERLY CRAMP
Ten years ago, HiDe´ Ebina was working in his poorly lit studio in an East Vancouver basement when a shaft of sunlight landed on one of his porcelain bowls.“I saw how the light made the bowl translucent,” says Ebina. It was a break-through moment for the Japan-raised ceramic artist who chose to stay in Canada after a visit 14 years ago.Ebina immediately began experimenting with lights of various shapes and sizes. He also continued to refine the particular clay mixture that produced his fine translucent ceramic lights. “I started with a lesser-quality clay. It has taken me a long time to evolve to the present form. I can’t tell you about the formula because it’s a secret,” he says with a conspiratorial smile.Ebina calls these creations “Porcelights” and each is as individual as a finger print. Porcelights are made one at a time, thrown from Ebina’s potter wheel, altered and assembled by hand. Unlit, these ceramic pieces look like sculptures. They become transformed when the light is turned on and shed a golden glow.Many of Ebina’s Porcelights have the flowing, rounded lines of organic forms such as spiny sea urchins or ridged bamboo poles. Others resemble sea shells or clam shells wired together. Still others have more stylized shapes such as cylinders or bells. Bits of metal or glass have been worked into some of the soft porcelain surfaces. But all are made utilizing traditional Japanese techniques in a refreshing new way.続きを読む

 


Artist statement
Working on clay is like playing music. Sound fades away before you can catch it. You have to move before you know how to play with it. Because of its transient and invisible character, sound is likely to reach our soul directly, without being blocked or translated by consciousness. Clay is a versatile, fast-moving material that runs away when you try to grab it. Just as Carl G.Jung attempted to paint a picture of the dynamic human consciousness for us to behold through his theories, so too is finished fired clay presented for our scrutiny, with its movements now frozen in hard, cold and fragile state. Emptying your-self and letting the shadow of the substance flow into that emptiness naturally, is the only way that you can feel and listen to what its vibrations want to say. Pieces I make are the assembled relics of my actions which were took, on and off the wheel. I want you to feel my works in the same way you listen to music, so I can strum the string of your soul.

 



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